‘There’s two acts of creation at work in the novel: the writer’s, and the reader’s.’
– Rodney Hall.
Some books, you read them and they go right through you like a glass of water. Other books seem to take up residence and become a part of who you are, like marrow, or muscle fibre.
I recently read Sylvia Plath’s The Bell Jar for the second time.
Rodney Hall is one of Australia’s greatest living writers. He has been nominated for the Miles Franklin Award seven times and if he wins this year, it’ll be the third time he’s gone home with the prize.
I have known him for eighteen years and he never fails to deliver on the subject of literature. He has been kind enough to wax lyrical at the Theme Park on matters literary and a few others that happen to intersect within his purview.
T.P: I’m guessing that if the Miles Franklin Award was predicated on biceps, you’d win that. Continue reading →
Many of the episodes in Mouthful of Stones are ‘true’. However, this doesn’t mean that all of them overtook your humble narrator. This story belongs to a very good friend who had once been a member of the now-defunct armed robbery squad. After hearing it, I inserted a first-person narrator to make it fit the shape of my design. Continue reading →
Thank you for sending me Finding Cronos, and for giving Murdoch Books the opportunity to consider publishing your manuscript. I think the questions and themes you wanted to explore through your story do have merit, however I think the writing and structure of your manuscript still needs more work. Continue reading →
This entry takes its title from Rodney Hall’s keynote address at the 2010 Byron Bay Writer’s Festival. I had hoped to begin with a link to the lecture which I believe the ABC filmed and will eventually upload onto youtube. While googling, I found this interview, which is a really interesting introduction to the man.
“Cowardice… is something a man does. What passes through his mind is his own affair.”
-Lord Moran
Nikos Kazantzakis’ novel, The Last Temptation, remains wildly controversial. Black-listed by the Vatican shortly after publication in 1960, Kazantzakis took a number of significant liberties with the ‘official’ story of Christ, as told in the gospels. Judas is a very close friend; the only disciple with the strength of character to betray a Jesus who instructs him to do it. Agonising death on the cross has been revealed to Christ through a premonition as the will of God.
While we all know the story of the crucifixion, the raw facts have been obscured by accretions of sentimentality and tradition. The fundamental fact is that Christ was tortured to death. Continue reading →