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The golden rule of commercially successful narrative art is that the writer has to push their characters into insoluble situations, and have them find their escape. Those escapes are the watermark of quality.
Continue reading2.
The golden rule of commercially successful narrative art is that the writer has to push their characters into insoluble situations, and have them find their escape. Those escapes are the watermark of quality.
Continue readingThe eponymous Black Rabbit is a restaurant, a ‘nightclub for grownups’, to quote protagonist Jake Friedkin. While the business is a hit, proprietor Jake (played by Jude Law) is painfully over-extended.
Continue readingYesterday, ‘John’ Wayne Parr and I were interviewed at the 1:35:20 mark of the embedded audio clip as a warm-up for our Brisbane Writers Festival appearance, which will also be chaired by the illustrious Mr Austin.
Listen up – and enjoy!
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I thought it was time to pay him a visit and see if he could freak me out like he used to.
Continue reading‘You’ll love the new Blade Runner – unless you’re a woman.’
There was much ‘feminist’ criticism of Blade Runner 2049. I found it almost as astonishing as the pissweak rejoinder from its director, Denis Villeneuve in Vanity Fair, November 25, 2017:
“Blade Runner is not about tomorrow; it’s about today. And I’m sorry, but the world is not kind on women.”
My question is: what the fuck kind of film did Sara watch? And why doesn’t Villeneuve have the balls to stand up and defend the film he made?
Continue readingThe internet is like having a giant bilge pipe mounted above the armchair in your lounge room with all kinds of garbage gushing out of it. There is hardly a moment to take stock and discriminate amongst the torrent of what’s raining down upon you.
Continue readingThe End
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The oldest of them stepped forward and struck me on the chest with an open palm. Confident and aggressive.
‘We saw you walking up the beach,’ he said, smiling.
Continue reading