Monster: The Jeffrey Dahmer Story is one of those things that fits in the, ‘Good, but I don’t like it’ category of film and television, which at the very least, pushes it beyond the odious definition of film and television as entertainment.
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I’d never had much interest in Limp Bizkit until I saw the Netflix documentary, Trainwreck: Woodstock ’99. Nu-metal didn’t do a lot for me, and there was something that felt just a little bit entitled about Fred Durst.
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I tend to peruse my Netflix and Stan accounts with dismay. Firstly, they clash with the portrait I paint of myself socially, as someone who ‘doesn’t watch television.’ Secondly, I find that I’ll open an account with a streaming service because I want to see something specific, like Parasite, for example, and then I’m confounded by the volume of crap I don’t want to see that comes with it.
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I went to see Bert Kreischer last Saturday night. I realised, once he came onstage and took off his shirt, that I had seen him before: he tells the story of his student trip to Russia in the viral video ‘The Machine.’ Continue reading
I just wanted to write to tell you how much I enjoyed your show, ‘Nanette.’ You don’t see a lot of genuinely incendiary stuff anymore. Incendiary and vital. Continue reading
Theme Park at its Darkest 