Monster: The Jeffrey Dahmer Story is one of those things that fits in the, ‘Good, but I don’t like it’ category of film and television, which at the very least, pushes it beyond the odious definition of film and television as entertainment.
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“Evil floats, weightlessly across the landscape of Los Angeles in Nicolas Winding Refn’s new film, The Neon Demon, co-scripted with TV writer Mary Laws and British dramatist Polly Stenham. It is a reverie of such sheer satanic rapture that Refn could be on danger of taking Bret Easton Elis’ crown as the Aleister Crowley of the 21st century.”
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“I had moved past the casual carnage that was so prevalent in the books I’d conceived in my twenties, past the severed heads and the soup made of blood and the woman vaginally penetrated with her own rib.
“Exploring that kind of violence had been “interesting” and “exciting” and it was all “metaphorical” anyway – at least to me at that moment in my life, when I was young and pissed off and had not yet grasped my own mortality, a time when physical pain and real suffering held no meaning for me.”
– Bret Easton Ellis,
Lunar Park. Continue reading
Theme Park at its Darkest 