
What’s it about?
What amounts to a terrorist cell in mid-nineteenth century Russia and its effect on a small fictional town of Dostoyevsky’s invention.
Continue readingWhat’s it about?
What amounts to a terrorist cell in mid-nineteenth century Russia and its effect on a small fictional town of Dostoyevsky’s invention.
Continue readingJohn Pilger, journalist and documentarian, criticized the film [The Hurt Locker] in The New Statesman, writing that “it offers a vicarious thrill via yet another standard-issue psychopath high on violence in somebody else’s country where the deaths of a million people are consigned to cinematic oblivion.” He compared the praise given to The Hurt Locker to the accolades given to 1978’s The Deer Hunter.[42] Continue reading
I think it’s time for a genre called ‘Scorsese’. Continue reading