I had an argument with some friends of mine recently about Dexter. Personally, I think that is a show for which the script is a poorly-written pretext for the violence. Continue reading
Archive for Baudrillard
Drag-Racing in the Desert of the Real
Posted in Film, Observation, Pretensions toward cultural theory, Reading with tags Baudrillard, Butch Cassidy and the Sundance Kid, Cambodia, concentration camp, Dawn of the Dead, Dexter, George A Romero, Germaine Greer, Irreversible, Killer Joe, Matthew McConaughey, Naomi Wolf, Raders of the Lost Ark, Salo, Sam Peckinpah, Sergei Eisenstein, Straw Dogs, Texas Chainsaw Massacre, The American Nightmare, The Exorcist, The Wild Bunch, Tobe Hooper, Tom Savini, Walking Dead, Wes Craven, Wliiam Freidkin on March 17, 2013 by Jarrod Boyle
John Pilger vs the American Psycho
Posted in Film, Observation with tags Baudrillard, Bunuel, Chuck Liddell, Colombiana, colonel kurtz, Dali, Game of Thrones, George Miller, John Pilger, La Femme Nikita, Lethal Weapon, Luc Besson, Mel Gibson, Melbourne International Film Festival, psychopath, Rampage Jackson, Ransom, Sam Peckinpah, Shakespeare, Stanley Kubrick, Straw Dogs, Taxi Driver, The Deer Hunter, The Hurt Locker, The New Statesman, The Patriot, The Wild Bunch, Tolstoy, UFC, violence on screen, Violent films, W.B. Yeats on July 15, 2012 by Jarrod Boyle
John Pilger, journalist and documentarian, criticized the film [The Hurt Locker] in The New Statesman, writing that “it offers a vicarious thrill via yet another standard-issue psychopath high on violence in somebody else’s country where the deaths of a million people are consigned to cinematic oblivion.” He compared the praise given to The Hurt Locker to the accolades given to 1978’s The Deer Hunter.[42] Continue reading
Theme Park at its Darkest 