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What I like about Peckinpah is that you never know what you’re going to get. You’re certainly not there to be ‘entertained’. Like David Fincher says, it’s going to leave a scar.
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‘The Men Who Came Too Late and Stayed Too Long.’
Posted in Film, Observation, Pretensions toward cultural theory, Real Men with tags Bryan Dorries, David Fincher, Pauline Kael, Peckinpah, Roger Ebert, The Wild Bunch on March 25, 2023 by Jarrod Boyle
‘The Men Who Came Too Late and Stayed Too Long.’
Posted in Film, Observation, Pretensions toward cultural theory, Real Men with tags Apocalypse, Billie Eilish, COVID, hip replacement, Ocean Eyes, Point Break, Sam Peckinpah, Straw Dogs, Surgery, The Unbearable Lightness of Being, The Wild Bunch on March 19, 2023 by Jarrod Boyle
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Surgery is a major life event. I had a hip replacement, which means full derailment; it’s a paradigm shift quite unlike any other. And most of the time, paradigm shifts find you stranded in a world that’s changed and requires that you develop new skills in order to cope. In my case, I return to the world with a certain ability that I had lost, namely, the ability to walk and stand square and strong, without pain.
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Point Break: Redux
Posted in Film, Observation, Pretensions toward cultural theory, Real Men with tags Bodhi, Bromance, Dirty Harry, Dirty Harry Callaghan, Ex=presidents, High Noon, John Pilger, Johnny Utah, Kathryn Bigelow, Point Break, Ronald Reagan, Simone De Beauvoir, The Hurt Locker, The Wild Bunch, Will Kane on February 18, 2023 by Jarrod Boyle
2.
Once he discovers his newfound friends and mentor are actually the ex-presidents, Johnny draws his line. During a botched stakeout shortly after, Utah reveals his identity when he pursues them in an attempt to capture.
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Point Break: Redux
Posted in Film, Observation, Pretensions toward cultural theory, Real Men with tags bank robbery, Daniel San, ex-presidents, FBI, Johnny Utah, Keanu Reeves, Mr Miyagi, Patrick Swayze, Point Break, surfing, The Karate Kid on February 3, 2023 by Jarrod Boyle
1.
I had very little memory of the film when I switched it on to pass a recent Saturday evening, and was concerned that watching an ‘old’ film from my teenaged years had become a recreational activity worthy of my time.
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Ex Machina
Posted in Film, Pretensions toward cultural theory with tags Alex Garland, Bluebeard, Ex Machina, Jackson Pollock, Kyoko, Robert Oppenheimer, Simone De Beauvoir, The Second Sex on August 26, 2021 by Jarrod Boyle
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Bluebeard is the grisly tale of a powerful, wealthy nobleman who marries a young, innocent peasant girl. She discovers, while he is away, that her new husband has beheaded his previous wives once they have ceased to amuse him. In part, it is a cautionary tale about a rich, powerful man’s objectification of a young, naive woman.
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Ex Machina
Posted in Film, Pretensions toward cultural theory with tags Blade Runner, Netflix, Parasite, Stan, Turing Test on August 24, 2021 by Jarrod Boyle
I tend to peruse my Netflix and Stan accounts with dismay. Firstly, they clash with the portrait I paint of myself socially, as someone who ‘doesn’t watch television.’ Secondly, I find that I’ll open an account with a streaming service because I want to see something specific, like Parasite, for example, and then I’m confounded by the volume of crap I don’t want to see that comes with it.
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The Neon Demon
Posted in Film, Pretensions toward cultural theory with tags Aleister Crowley, Bret Easton Ellis, Drive, Los Angeles, Nicolas Winding Refn, Peter Bradshaw, Sergei Eisenstein, The Guardian, The Neon Demon on June 14, 2021 by Jarrod Boyle
“Evil floats, weightlessly across the landscape of Los Angeles in Nicolas Winding Refn’s new film, The Neon Demon, co-scripted with TV writer Mary Laws and British dramatist Polly Stenham. It is a reverie of such sheer satanic rapture that Refn could be on danger of taking Bret Easton Elis’ crown as the Aleister Crowley of the 21st century.”
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A Promising Young Woman
Posted in Film, Pretensions toward cultural theory, violence against women with tags A Promising Young Woman, Alex Garland, Carey Mulligan, Dredd, Genre cinema, I Spit on Your Grave, Judge Dredd, Rape, Rape/Revenge, Variety on May 18, 2021 by Jarrod Boyle
I was fairly horrified by the film ‘A Promising Young Woman’, especially the murder at the end.
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Is ‘Joker’ the Best Film of 2019?
Posted in Film, Observation, Real Men with tags Anthony Lane, Arthur Fleck, Barack Obama, Batman, Breaking Bad: El Camino, Donald Trump, Gary Glitter, Gotham City, Hitler, Incel, Jesus Christ, Joachim Fest, Joker, Martin Scorsese, Robert De Niro, Rock and Roll Part 2, Sam Peckinpah, Sandy Hook School Shooting, Taxi Driver, The Art of the Deal, The King of Comedy, The New Yorker, The Wild Bunch, Thomas Wayne, Vice, Wim Wenders on December 26, 2019 by Jarrod Boyle
“Hitler, as the point of convergence for so many nostalgias, resentments and anxieties, became a historical figure.”
– Joachim Fest, Hitler
In the wake of the Sandy Hook School Shooting in 2012, President Obama gave a press conference during which he beseeched Americans to support the introduction of basic mental health screenings for gun buyers. Continue reading
Theme Park at its Darkest 